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Typescript letter to the American writer, philanthropist and co-founder of the New York City Ballet, Lincoln Kirstein (1907-1996), in which Beaton writes that he has enclosed a paragraph about George for the memorial show. Is thrilled by the possibility of designing set and costumes for Samuel Barber's new opera, 'Vanessa'. Adds that the news about the New York City Ballet dancer Tanaquil Le Clercq is very distressing and that he hopes for a better outcome than can be expected at present. Le Clercq contracted polio in Copenhagen while performing on the company's 1956 European tour and was subsequently paralyzed from the waist down.

Typescript letter to the American writer, philanthropist and co-founder of the New York City Ballet, Lincoln Kirstein (1907-1996), in which Beaton writes that the offer Kirstein proposed in his previous letter sounds fascinating. He plans to come to America after Christmas to begin a lecture tour in January and may have spaces in between lectures to come to New York. Beaton does not think that he could offer to go to New York especially for this job, given how costly accomodation and other expenses would be. However, he would like time to think over the problem, as it sounds a delightful job and this is only his first reaction. He is presently on his way to the Slade School of Fine Art, where he is trying to learn to paint with oils in a different style than he was taught at school.

Typescript unsigned letter to the costumer Barbara Karinska (1886-1983), concerning the recipience of some patterns of material that Karinska promised to send to Beaton in London.

Manuscript letter concerning the establishment of a new bank account for Beaton in New York.

Typescript letter, unsigned, though evidently from Beaton. Sends best wishes for 1938. Has spent an enjoyable Christmas. The exhibition looks very nice and visitors are complimentary, but it hasn't been hugely successful in financial terms. No confirmation for when he will return back from America, but it won't be before 30th January. Adds that he has a lot to do in relation to his book and 'Vogue'-related issues.

Manuscript letter, in which Terrassault writes that the christening of Charles James Jr. - son of the fashion designer Charles James (1906-1978) - took place at St. John's the Divine the day before. Beaton's absence was felt because after thirty years, he belongs to the family. Terrasault tried to pass on a note from James in which he expressed his deep feelings for Beaton, but was intercepted by Beaton's secretary. Adds that he took many coloured photographs during the christening and asks whether he might send some to Beaton.

Manuscript letter, addressed to 'Madam'. Graham thanks her for the letters and papers. They have survived the storm, though have sustained bad flooding in the house and while they have supplies, they appreciate the suggestion that they should take what they need from the larder. Outlines the extent of the damage. Adds that there is no need to worry about things at Ashcombe, as everything is all right and everyone is happy.

Typescript letter, unsigned. Copied to Beaton. The letter concerns samples for a new scent and suggestions given by Beaton following a recent trip to Paris. Stresses the importance of creating a scent in which Beaton has confidence and of producing a scent which may credibly compete with French fragrances on the London market. George Lueders & Co. were traders of perfumery supplies, flavours and fragrances, essential oils, soap-making supplies and flower extracts.

Includes a torn strip of envelope with the address of the dancer Cléo de Mérode (1875-1966); a list of photograph numbers; and a diagram of a circle with various names around the perimeter, including 'Cecil', 'Irene Worth', 'Diana', 'Kistie', and Leo d'Erl.