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A typescript letter, in which Sherek writes that he understands Myers and Aldrich are trying to secure Cecil Parker for the role of Gainsborough and Peter Glenville as the director. Wished they had let him arrange this earlier, and the play had been presented at the Duke of York's Theatre, newly decorated by Cecil Beaton, for the opening. Informs them that Cecil Beaton is on his way to New York. Tries to persuade them to open the play in Brighton for the Festival of Britain rather than London, as he relies on the Queen visiting the play there, and cannot find the right cast for London.

Beaton writes that he has now a stage-worthy script of the Gainsborough Girls. Him, Aldrich and Myers want to put the play on in April. Glenville is not free before June as he has to stay for "Romeo and Juliet" with Olivia de Havilland so they asked Peter Brook instead, but he is busy too. They met Marianne Davis who promised they could have the Duke of York's Theatre for the opening if they are ready soon. Beaton feels Gainsborough should not be played by a star as "it is really a play about the two daughters and their love affair with Angus." He discusses potential actors (H. Griffith, H. Horden, Laurence Hardy) and directors (Glen Byam Shaw, Frith Banbury, Peter Potter, Ken Tynan). Beaton is very anxious not to delay the play any further and slightly worried about Aldrich and Myers. He decided to make the décor for the City Centre Ballet of Swan Lake.

Sherek writes that he has suggested Beaton's play for the Festival of Britain in Brighton. He cabled Laurence Evans asking him to see the Dickies to confirm they agreed but Evans cabled back saying he could not meet them until Monday because Aldrich's mother died.