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Printed exhibitions and events leaflet. Includes details of an exhibition held at the National Archives from the 23rd January to the 13th March 2004, entitled 'Our Man in India: Cecil Beaton's Propaganda Photographs 1944'. Also includes a loose-leaf invitation to the evening reception that marked the launch of the exhibition, which was held on the 28th January 2004.

Printed booklet, containing the alphabetical index of Beaton's studio archive. Also includes an introduction to the archive, quotations from Beaton's diaries and short biographical notes. Produced by Sotheby's Picture Library.

Printed bound booklet and cover letter concerning press coverage of Sotheby's 'Beaton at Large' exhibition (10th-20th February 2004). Includes black-and-white photocopies of newspaper and magazine articles about the exhibition and the centenary of Beaton's birth in general.

Printed events and exhibitions booklet. Includes exhibition details and events listings for 'Cecil Beaton: Portraits' (5th February - 31st May 2004). The exhibition was held in celebration of the centenary of Beaton's birth.

Typescript feature, printed in 'The Sunday Times', containing extracts from newly-released unexpurgated diaries belonging to Beaton.

Posthumous award given to Beaton for his costume collection by the Theatre Development Fund.

Typescript article, relating to the publication of the book 'Cecil Beaton: The Royal Portraits' (1988), taken from 'The Bookseller'.

Typescript proposal for a retrospective exhibition of Beaton's work, to be managed by the Barbican Art Gallery, London, from December 1985. After its London showing, the exhibition will be transferred immediately to New York, where it will be displayed at the International Centre for Photography (ICP). It is intended that the exhibition should display roughly 150 of Beaton's most significant photographs, drawn from his entire career. The curators will be David Mellor and Terence Pepper. Creator: the Barbican Art Gallery.

No named author nor indication of provenance; the tone of the piece suggests that the postscript was written after Beaton's death in 1980.

Secondary material relating to Beaton's life and work, including exhibition programmes and an award.