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Typescript letter in which Beaton replies to Schneider's letter dated July 18th.

Typescript letter, in response to Schneider's letter dated 7th July. Original letter is attached, with pencil annotations in answer to the various queries raised.

Typescript letter in which Beaton writes that, given that he has been unable to produce a design that is pleasing to her and the rest of her production team, it would be better for her if Beaton were "to bow out of the picture". He adds that he is sending some pieces from which she may construct a room which satisfies the many conflicting viewpoints.

Typescript letter, expressing thanks for Yoxall's previous letter and for the opportunity to have contributed so much to 'Vogue' magazine, although both sides knew, he writes, that a separation would occur "sooner or later".

Typescript letter in which Beaton offers his apologies for the unsatisfactory photographs he produced for the April issue, yet nevertheless defends his actions. He suggests that, however unsuccessful the results of the feature were perceived to have been, the detailed explanations he presents in his letter should indicate that "they were not brought about by any lack of integrity or interest on [his] part". Beaton agrees that it would be better if the magazine ceased to offer him such sittings and allowed him to continue with his interest in fashion photography elsewhere.

Regrets not having been able to talk to Garbo before leaving New York. Examines his disappointment at what was said at their last meeting. Hopes that she will start to lead a fuller life.

Beaton writes to Selznick with suggested improvements to the stage designs for "The Chalk Garden", based on the photostats he has received from her.

Typescript paragraph on the American fashion photographer George Platt Lynes (1907-1955).

Typescript letter regarding the preliminary ground plan for "The Chalk Garden" and on the matter of casting. Beaton asks why Selznick has not considered Sybil Thorndike. He also offers his opinion on "Time Remembered" by Jean Anouilh, which he has recently been to watch with friends.

Typewritten letter, regarding suggestions for improvements to the play. Beaton acknowledges that such suggestions are, strictly speaking, outside of his remit as Costume Designer, but expresses the hope that his "impertinent suggestions" be received in good spirit, in so far that they are "helpful in the general cause".