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Typescript letter in which Beaton offers his apologies for the unsatisfactory photographs he produced for the April issue, yet nevertheless defends his actions. He suggests that, however unsuccessful the results of the feature were perceived to have been, the detailed explanations he presents in his letter should indicate that "they were not brought about by any lack of integrity or interest on [his] part". Beaton agrees that it would be better if the magazine ceased to offer him such sittings and allowed him to continue with his interest in fashion photography elsewhere.

Regrets not having been able to talk to Garbo before leaving New York. Examines his disappointment at what was said at their last meeting. Hopes that she will start to lead a fuller life.

Typescript letter regarding the preliminary ground plan for "The Chalk Garden" and on the matter of casting. Beaton asks why Selznick has not considered Sybil Thorndike. He also offers his opinion on "Time Remembered" by Jean Anouilh, which he has recently been to watch with friends.

Handwritten note, regarding period setting for "Portrait of a Lady". Beaton asks whether Quintero would prefer to stage the production in the early or late eighteen-seventies, and offers his own opinion on the merits of each.

Typewritten letter, regarding suggestions for improvements to the play. Beaton acknowledges that such suggestions are, strictly speaking, outside of his remit as Costume Designer, but expresses the hope that his "impertinent suggestions" be received in good spirit, in so far that they are "helpful in the general cause".

A letter from Beaton, regarding decisions to be made about certain costume designs under discussion, in response to concerns outlined in Quintero's previous letter, dated October 8.

Beaton writes that he has airmailed his designs to Arnold Weissberger and is eager to hear of Quintero's reaction. For instance, Quintero may find some of the costumes a little too gay, or too sombre, as the case may be. He may find Serena Merle's mauve evening dress a little too unsophisticated, but the intention is that its simplicity and understatement will in turn make her look sophisticated.

A letter from Beaton, regarding the royalty status of the set designs for "Quadrille"; designs for "Portrait of a Lady", and details from a postcard sent by Enid Bagnold. Beaton concludes by indicating that he will shortly depart for Paris, to "sniff the new breezes" and a break before his trip to America.

Typewritten letter, regarding the cost of costumes and Beaton's pleasure in working alongside Jose Quintero.

Typewritten letter, regarding the signature of the contracts for "Portrait of a Lady", and expressing Beaton's disappointment that "The Chalk Garden" appears to have been momentarily shelved. He writes that the directors, Austin and Noyes, appear concerned about the cost of the costumes and suggests that it will be necessary for them to discuss such considerations with Helen Pons, whom, he writes, he is certain will charge a fair price. There are five evening dresses which he believes will be expensive, however, they will not be more so than those of any other designer.