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Typescript letter, in which Beaton responds to the queries raised in Bronson's letter, dated 30 December 1965. Beaton writes that he has been suffering from shingles for the past six weeks and is about to embark on a recuperative trip which may or may not culminate in New York; if he were to finish in New York, then he would be interested to see how work on the scenery and costumes for 'La Traviata' is progressing.

Typewritten letter, in which Beaton voices his initial concerns in working with Yoshio Aoyama, and requests clearer information regarding what exactly is expected from him in terms of his sketches.

Typescript letter, in response to Bing's letter dated 6th March, regarding his involvement in producing the stage designs for "Adriana Lecouvreur". Beaton writes that he wanted a short break after having worked on "Turandot", but having done some preliminary work and having developed a greater appreciation of the music through conversations with his neighbour, the music critic, Desmond Shawe-Taylor, he is eager to progress further with "Adriana Lecouvreur". He would, however, prefer to set the opera in the Edwardian period, rather than the eighteenth century, which Beaton feels has been "over-done". He also proposes a meeting with Nathaniel Merrill [stage director for the Met between 1956 and 1985], for further discussions before he becomes engaged in other summer activities.

A typewritten letter, in response to Wittstein's letter dated 24th July, with a cover letter from Eileen Hose to Arnold Weissberger, requesting that Weissberger familiarise himself with the contents of the letter before passing it on to Wittstein. Beaton writes of his consternation upon hearing that his work has been accidentally incinerated. While he accepts that accidents do happen, he is deeply frustrated that his work has been lost and requests that an exact list of what is missing be sent to him.

A typescript letter, in which Beaton writes that he has just returned from Venice. Will delete the unpopular passages before it goes to New York. This experience made him realize how difficult it is to write a play. Agrees that the critical reception was harsh because of high expectations. Their great mistake was to to have invited the critics and Beaton's "so-called friends" to a raw opening performance. Beaton hasn't seen Ardele yet, but the reviews are not good. He thinks he will come to New York this autumn. He made a new décor for Casse Noisette at the Young Sadler's Wells. Jokes that as the last act takes place in the Hall of Sweets, it will be no setback if the critics deem his work "too chocolate-boxy".

Thanks her for her birthday wishes. The weather has been very cold. Still has a hacking cough. Is annoyed by the Duchess of Kent's stupidity. Would be tempted to tell Philip Hay that he doesn't care "a tupenny toss" whether the article is published or not now that she has cut the final paragraph. But they can at least get the magazine to gives them "a very huge price" for it. Asks Eileen if he has any objections about the letter to Hall. He thinks he "allowed himself to get hot under the collar". Maybe a delay from him will "titillate P. o G." Asks her to whether Lila de Nobili's address is Peter Hall's. Received nice letter from Hansen.

Typewritten letter, regarding the price of ball-gowns for the film 'On A Clear Day You Can See Forever'.

A letter from Beaton, regarding an alteration in the costume design fee for the film 'On A Clear Day You Can See Forever'. Beaton also discusses the dates for both his trip to Hollywood and to Morocco in order to buy materials for the costumes.

Typescript paragraph on the American fashion photographer George Platt Lynes (1907-1955).

Draft typescript letter, in which Beaton writes that he has heard from Miss Le Maire that Mr Marcus is in Europe and unable to make any firm decision about the backdrop for the Bridal Salon until he returns. Beaton thinks that he will stay until the first week of April, but cannot be certain of that. However, he believes that he may well return in the late summer and would be interested to hear from Mr Marcus at any time. Beaton thinks that the backdrop could be a great success and would be willing to take photographs.