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One pencil sketch and one pen and ink sketch, mounted together and framed (22 x 19.5 cm), showing part of a house-front with a fence or wall and bare trees in the foreground. Not dated.

Pen and ink drawing, mounted and framed (24 x 30 cm).

Two pen and ink drawings (or prints after pen drawings), mounted together and framed (32.5 x 23.5 cm), for 'Alps and Sanctuaries'. The first, 'Steps Leading to the Church, No. 1' (1882, p.106), is modified by hand with ink and whitener. The second, 'Main Entrance to the Sanctuary' (1882, p.104), is dated July 1880. Both are early versions of the drawings, before the addition of figures by Charles Gogin.

Print on paper (13.5 x 10.5 cm; unframed) of an engraving of Emmanuel College, Cambridge, viewed from the road (London: Rock & Co. [No.327]). Not dated.

Two pencil drawings on paper, mounted together (31.5 x 45.5 cm), one showing a copse of trees and one showing two women herding cows. Printed in 'Alps and Sanctuaries' (1882, pp.174-5).

Drawings, paintings and prints, by or relating to Samuel Butler, Henry Festing Jones and their works. Includes some reproductions of Italian Renaissance drawings, presumably collected and copied by Butler.

Pencil or charcoal on paper, mounted (25 x 34.5 cm), showing Samuel Butler seated in profile at the piano, playing Handel. Title given in bottom-right corner by Samuel Butler. [No. 17 in Henry Festing Jones's 1921 catalogue: 'Ferguson was a fellow art student with Butler.']

Two pencil and pen drawings on paper, mounted together (45.5 x 31.5 cm). Drawings by Samuel Butler, with figures drawn (by Charles Gogin) on tracing paper and pasted on top. Printed in 'Alps and Sanctuaries' (1882, p.24 and p.53).

Pencil and ink drawing on paper, mounted (34.5 x 25 cm), showing a townscape. Inscribed by Samuel Butler. [No. 1 in Henry Festing Jones's 1921 catalogue.]

Two pencil sketches on blue paper, mounted together (31.5 x 45.5 cm). [No. 26 in Henry Festing Jones's 1921 catalogue: 'McCulloch was a friend and fellow art-student of Butler's, and is mentioned in the "Memoir", "an admirable draughtsman".']