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Papers of Sir Cecil Beaton Hose, Eileen (d 1987)
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Copy of typescript letter to Paddy Marsh

Following their meetings with Milmo Beaton forwarded the statement initially intended for Equity onto Minster with a covering letter dictated by Milmo. Also encloses a copy of Minster's reply.

Hose, Eileen (d 1987)

Letter to Allene Talmey

Hose writes that Beaton has never officially taken photographs of the Marquesa Casati, but that while visiting her house in South Kensington shortly before she died, he managed to take several surreptitious photographs, without the Marquesa's full consent. Hose encloses two of the snapshots with the letter. She also asks whether the negatives of a black dress from COCO may be returned to Beaton at Tallmey's convenience.

Hose, Eileen (d 1987)

Letter to Allene Talmey

An invitation for Beaton to accompany Allene Talmey to Spain for the purpose of photographing the main characters in the film 'Nicholas and Alexandra'.

Hose, Eileen (d 1987)

Letter to Arnold Weissberger

A typewritten letter, in which Hose (who is possibly not the author) confirms that Weissberger will negotiate the terms of Beaton's contract as a designer for 'Turandot' with Rudolf Bing. Hose reminds Weissberger of the unanticipated amount of work Beaton was asked to do for 'Vanessa', and adds that he cannot be expected to supply as many technical drawings and variations of expensive models for 'Turandot'. The drawings which he produced for 'Vanessa' cost almost as much as he was paid for them. Hose mentions this so that just such another eventuality may be covered by the terms of the contract from the beginning. She concludes by writing that Beaton will probably need an assistant for his work on 'Turandot' and that he will most likely ask Bob Randolph.

Hose, Eileen (d 1987)

Letter to Arnold Weissberger

A typewritten letter, regarding Beaton's arrangement to fly to the U.S. on 20th October 1954, and his desire to know the period Quintero would prefer for his set designs.

Hose, Eileen (d 1987)

Letter to Beaton

Hose was afraid that Beaton had given up as she has not heard from him, until she received Weissberger's letter, confirming that the reports of her visits to the solicitor and counsel had reached him. Was confused as to why he asked her if the private letter had been sent. Beaton needs to write it in his own hand, mark it private and ask for a receipt so that Wolfit won't be able to sue him. That "will be one sure good dig at him". They managed to get the rules of the Society of West End Theatre Managers through the Registrar of Friendly societies. Milmo and the solicitor will see which course of action can be taken in light of these rules. Will pass on Weissberger's suggestion to Milmo but thought Beaton did not want to go to court. Has supplied the solicitor with many press cuts and asks Beaton to send the latest one from the Irish press. Saw Alan [Tagg]'s play "One more River", which is "a bit coarse and sweaty, but very exciting". They all voted [for the general election of the 8 Oct.] and "tremble to hear the result". Autograph postscript: Sykes told her that Berman is going to buy all the costumes.

Hose, Eileen (d 1987)

Letter to Beaton

Typescript letter; Hose had a meeting with the solicitor and Helenus Milmo, a learned counsel, about whether a complaint to Equity would really constitute a "privileged occasion". Milmo will need to know the terms under which Equity deals with complaints. As Beaton is not a member of Equity he might not be protected. Minster is not a member either but he belongs to the Society of West End Theatre Managers. Sykes thinks he will probably report Wolfit to them, but not to Equity. Sykes says that recently there had been several cases of actors behaving badly and that managers are not properly protected against this in the existing standard contracts. This will certainly be put right. Both Equity and the Society of West End Theatre Managers are reluctant to give their rules to Beaton's solicitor. They might also try to contact the London Theatre Council. This might however prove very expensive and is unlikely to succeed. Sykes does not think Wolfit will get away from this with no damages; he will find it difficult to get another job. Milmo and the solicitor thought the proposed statement to Equity was well-balanced, but they are strongly against the press statement.

Hose, Eileen (d 1987)

Letter to Beaton

Milmo studied the rules of Equity. A complaint from Beaton would not be a privileged occasion as he is not a member. Beaton would be open to a long and expensive libel action. His defence could only be a plea of justification, i.e. he would have to justify all the statements made in his complaint. Statements would have to be taken from Minster, Seale and the members of the cast. The hearing of the case would take at least a fortnight. Milmo will try to see if Equity has ever taken complaints from non members. Any complaints put forward to the Society of West End Theatre Managers by Minster, a member, would be privileged, so there is no need to change the statement.

Hose, Eileen (d 1987)

Letter to Felicity Clarke [Secretary for Diana Vreeland]

Typescript letter regarding the publication of photographs of the poets, Cecil Day Lewis and W. H. Auden. Hose writes that Lewis has agreed to pose for a photograph by Beaton and that this will be arranged shortly. Beaton has also recently taken pictures of Auden, which have not yet been published, but which Vreeland may like to include in her series of poets.

Hose, Eileen (d 1987)

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