[The Athenaeum] 3144 (28 Jan. 1888)
- Hoyle/Box 31/9/13
- Item
- 1980 (circa)
Part of Papers of Sir Fred Hoyle
Unidentified page, including a report of the death of G.R. Waterhouse. Photocopy of magazine
[The Athenaeum] 3144 (28 Jan. 1888)
Part of Papers of Sir Fred Hoyle
Unidentified page, including a report of the death of G.R. Waterhouse. Photocopy of magazine
The Atheist / by George Bedborough (London: Garden City Press, 1919)
Part of Samuel Butler Collection
Bedborough Booklet No. 15. Bound pamphlet. A long poem, containing a reference to Samuel Butler (p.19).
Part of Papers of Bertha Jeffreys
Reprinted 1966.
Part of Papers of John Couch Adams
Paper addressed to the Editor of the Mercantile Marine Service Association Reporter.
Crosland, Newton (1819-1899)
'The Association for Tropical Biology' et al.
Part of Papers of George Clifford Evans
Information on the Association, plus tables and notes on topics including salt deposition and woodland light climates. Manuscript and typescript.
Evans, George Clifford (1913-2006) ecologist
Part of Papers of Sir Fred Hoyle
Letter reminiscence by Jeremy Bernstein of Aspen. Page 9A
Part of Papers of Robert Aubrey Hinde
Obv. Relief two birds with foliage. Rev. Relief fish. Leg. The ASAB medal | awarded to | ROBERT A. HINDE | 1996
Part of Samuel Butler Collection
Colour illustrated catalogue of an exhibition held at York City Art Gallery, Kenwood, and Djangoly Art Gallery in 1999, featuring two artworks by Samuel Butler (p.31).
Part of Papers of Sir John Herschel
Documents relating to Herschel's lecture on 'The Art of Photography' presented to The Royal Society in 1839
Part of Papers of Sir Cecil Beaton
Typescript essay, in which Beaton evaluates photography as an art form. Can photography truly be considered an art form comparable to painting? For unlike the painter, the photographer cannot transcend or transform the scene before him. Though he can alter the effects of composition, still his self-expression is limited by the objective view of the camera. In some cases, photography may be considered a minor art form, but for the most part, it is too mechanical. The personal aspect of the man behind the camera has become less important than his ability to produce commerical photographs. But what is the advantage of mechanical progress if the human soul is lost in the process? The solution, Beaton concludes, is to approach photography in the spirit of nineteenth-century pioneers - that is to say, with a sense of wonder. [c.f. D/2/3/65].