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W. Eaden Lilley & Co. was a portrait studio on Market St., Cambridge. In 1990, Lilley had a studio at Mercers Row Cambridge and Green St, Cambridge. The company is still in business, now part of Lafayette Photography (https://www.lafayettephotography.com/) specialists in academic photography.
Eaden Lilley was department store based in Cambridge, tracing its history back to a haberdasher's shop in 1760. The photographic department undertook portraiture and other commercial photography. (For more information see: http://www.fadingimages.uk/photoLe.asp and https://en.wikipedia.org/wiki/Eaden_Lilley)

Denny Abbey was founded in 1159 as a Benedictine monastery and is the only religious site in England to have been occupied by three different monastic orders at various times in its history. It was handed over to the Knights Templar in 1170 as a home for their aged and infirm members. In 1308, when the Templars were arrested for alleged heresy, the Abbey became a convent for a group of Franciscan nuns known as the Poor Clares. Their patron, the Countess of Pembroke, converted the original church into private apartments and built a new church, refectory and other buildings. Following the dissolution of the nunnery in 1539 by Henry VIII, it was converted into a farm and was in use until the late 1960s when it was acquired by Pembroke College and placed in the care of what is now English Heritage.

The London firm of Clayton and Bell were one of the most successful and prestigious stained glass window makers of the Victorian era.
The company was founded in 1856 by John Richard Clayton (1827-1913), and Alfred Bell (1832-95). John Clayton was a London illustrator and friends with several Pre-Raphaelite artists, most notably Dante Gabriel Rosetti. Alfred Bell, by contrast, was born in Devon, the son of a farm worker. The architect Sir George Gilbert Scott (1811-1878) saw some of Bell's drawings in the 1840s and was so impressed that he hired him and trained him in the Gothic Revival style. John Clayton trained as a sculptor under the architect Sir Charles Barry.
Bell initially formed a partnership with Nathaniel Lavers before joining forces with John Clayton and starting a new company in 1855. Sir George Gilbert Scott gave them several commissions and they were very successful very quickly. The mid-Victorian period saw a revitalisation of the Church of England. After centuries of decay, many medieval churches were restored and rebuilt, and there was a growing market for high-quality stained glass windows.
Clayton and Bell initially shared premises with Heaton & Butler. They produced the designs and Heaton & Butler supplied the kiln and the knowledge and expertise to manufacture the glass. Just three years later, in 1861, Clayton and Bell moved into large new premises on Regent Street, where they began to produce their own glass for their own designs. The company's growth was staggering; by the time they moved into their Regent Street premises Clayton and Bell were employing 300 workmen. Clayton and Bell's commercial success was due to the high demand for stained-glass windows at the time, their use of the best-quality glass available, the excellence of their designs and their employment of efficient factory methods of production. Within a few years, the firm had become one of the most prolific and proficient workshops of English stained glass. By the 1860’s and 1870’s night shifts were worked in order to fulfil the large number of commissions. Clayton and Bell then expanded from designing and making stained glass windows and began designing church murals and entire decorative schemes.
Alfred Bell and John Clayton retired from active participation in company affairs by the 1880s. The company was run by a succession of Bell's heirs; John Clement Bell (1860–1944) was succeeded by Reginald Otto Bell (1884–1950) and then by Michael Farrar-Bell (1911–1993). Unfortunately, the records of Clayton & Bell were largely lost after enemy bombing in World War II. However, their windows can be found throughout the United Kingdom, the United States, Canada, Australia and New Zealand.
Among their major commissions, and perhaps the first entire cycle of glass produced in the Victorian era, is the cycle of great scholars produced for the Great Hall of the University of Sydney, designed by the colonial architect Edmund Blacket and based upon Westminster Hall in London. Among their other famous windows are the West Window of King's College Chapel, Cambridge, 1878, a very sensitive commission as much ancient glass still existed in the building, and also in Cambridge, a Last Judgement for St. John's College Chapel.
At Truro they were commissioned by John Loughborough Pearson to design windows for the new Cathedral. This work is thought to be amongst the finest Victorian stained glass in England. It tells the story of the Christian Church, starting with the birth of Jesus and finishing with the building of Truro Cathedral. The firm was also commissioned to design mosaics for the new Catholic Cathedral in Westminster, London. The altarpiece for the Chapel of Saints Augustine and Gregory, representing the conversion of England to Christianity is the work of Clayton and Bell, assembled by the Salviati firm from Murano, Italy.
Probably the most significant commission was to design the mosaics for each side and beneath the canopy of the Albert Memorial. This towering monument set on the edge of Hyde Park in London was built to commemorate Prince Albert, husband of Queen Victoria, who died in 1861. The firm of Salviati from Murano, Venice, had manufactured the mosaics to Clayton and Bell's designs. The firm of Clayton and Bell was awarded a Royal Warrant by the Queen in 1883.
The company moved from London to Buckinghamshire after WWII and ceased operating after Farrar-Bell's death in 1993.

Chertsey Abbey was founded in 666 by Erkenwald, a prince from Stallingborough, Lincolnshire, who was said to be related to Offa, King of East Anglia. The Abbey was founded as a Benedictine House, dedicated to St. Peter, and grew to become the fifth largest monastery in the country, with land covering 50,000 acres. Little is recorded of the Abbey before the mid 11th century, however it is known to have been the subject of a Viking raid in 871, after which it was rebuilt and had its land confirmed in a Charter of 889. The Abbey also suffered at least two fires in 1235 and 1381 as part of the Peasants' Revolt.

Throughout its history, Chertsey Abbey was regularly visited by the King, including King John, Henry III who held court there in 1217, Edward III and Henry VIII. The Abbey was dissolved in 1537 during the Dissolution of the Monasteries, with its monks sent to Bisham to create a new order specifically to pray for the soul of Jane Seymour. However, this new House was dissolved in less than a year and within a century, the empty buildings of Chertsey Abbey had been destroyed.

Photography studio opened by Hazel Carter in 1984 at Cobble Yard, Napier St., Cambridge. By 1990 the studio had moved to 37 Highfields Ave., Cambridge. Hazel Carter's father, John Carter, was also a photographer who worked between 1950 and 1983.

Broomhall priory, a house of Benedictine nuns, was suppressed in 1522 and granted to St John's College, along with its estates.

A ceramic painting firm located in Cambridge providing the College with painted crockery

Barnwell Priory was founded in 1092 by Picot of Cambridge and construction was finally completed in 1112. The Priory was extremely wealthy during its time, with the number of monks rising from 6 to over 30. Additionally, it was chosen as the location for a Parliament held in Cambridge during the reign of Richard II.

The Priory became a target during the Peasants' Revolt in 1381 which caused a reported loss of £1000. It was dismantled in 1538 during the Dissolution of the Monasteries and stood as a ruin until 1810 when the land was cleared. Today, a school nearby is named after the Abbey and several streets in the area are named after former Priors.

Anglia TV was a broadcasting franchise which served the East of England. It was owned by ITV.
In Britain, at the beginning of 1958 ITV was still expanding throughout the country. Following the Television Act of 1954 which had empowered the ITA to set up television services additional to those provided by the BBC, ITV had begun broadcasting in September 1955. When applications were invited for the franchise to serve the East of England, which was to be ITV's first truly rural region, Lord Townshend, a leading Norfolk farmer, brought together a group including The Guardian newspaper and Romulus Films, a company founded by Sir John Woolf and James Woolf at the start of the 1950s. Other members of the board of Anglia Television included people who were strongly rooted in the area but also had diverse interests. Sir Robert Bignold was an eminent Norfolk industrialist, chairman of Norwich Union and a former Lord Mayor of Norwich. Aubrey Buxton was a conservationist who had served with the Army with distinction during the Second World War and was awarded the Military Cross in 1944. Sir Peter Greenwell was a Suffolk farmer who raised prize cattle. William Copeman headed the Eastern Daily Press and other East Anglian publications. Laurence Scott was chairman of The Guardian as well as chairman of the Press Association. The other board members were Sir John Woolf, Sir Donald Albery, head of a London theatre group and two Cambridge academics: Professor Glyn Daniel (archaeologist) and Dr Audrey Richards (anthropologist).
They formed the ‘Anglia’ company and the ITA franchise for the East of England was granted to them. Anglia’s headquarters was in the centre of Norwich in a building that had been known for three-quarters of a century as the Agricultural Hall. Anglia acquired The Hall on a 75-year lease and adapted it for their use. An assembly hall at the front of the building was divided into offices while the main exhibition hall, formerly used for cattle shows, was converted into studios. In order to make these studios sound proof it was necessary to erect a new building within the old one with a reinforced concrete frame. The building was renamed Anglia House. At the same time a 1,000 foot transmitter mast was built at Mendlesham, Suffolk.
The first day of transmission for Anglia Television was on Tuesday October 27, 1959. Broadcasting began at 4.15pm with a picture of the Mendlesham mast and a voiceover announcing "Anglia Television is on the air." The first programme, Introducing Anglia, took viewers on a tour of the region with aerial views of the countryside. The station closed for the evening at 11.10pm.
Anglia's distinctive symbol, the Anglia Knight, soon became widely known across the country. Originally, the directors had thought of using Britannia as the company logo. But whilst walking along Bond Street in London, Lord Townshend saw the figure in Asprey. It had originally been modelled on a statue of Richard the Lionheart that stands outside the Houses of Parliament and was commissioned from a London firm of silversmiths by the King of the Netherlands in 1850 as a sporting trophy. It was later won by an Englishman who brought it home where it had remained in the possession of his family. After Anglia acquired it they got Asprey to make some modifications including the 'Anglia' pennon on the lance.
By 1961, Anglia's 'local' audience of 213,000 homes, mainly in Norfolk, Suffolk, Cambridgeshire and Essex grew to 423,000 as it reached Bedfordshire and Lincolnshire. The opening of a new transmitter in 1965 also made the station accessible to viewers in Hertfordshire, Northamptonshire and much further afield. By December of that year about a million homes could receive Anglia television.
Of all Anglia's television programmes the most celebrated is Survival, which travelled the world producing six half-hour programmes a year. The basic theme of each production was the conflict between man and nature with the programme coming down firmly on the side of conservation. As he was launching Survival, Aubrey Buxton also helped to found the World Wildlife Fund along with Peter Scott and others, including David Attenborough. Prince Phillip became chairman of the British appeal of the WWF introducing an hour-long special about conservation in Africa, The New Ark, which won Survival's first international award, the Golden Nymph of the Monte Carlo Film Festival in 1963. The original series ran for 40 years during which nearly 1000 shows were produced. It was also one of the UK's most lucrative television exports, with sales to 112 countries. In its prime, it achieved the highest overseas sales of any British documentary programme and, in 1974, gained a Queen's Award for export success. It became the first British programme sold to China (1979), the first to be broadcast simultaneously across the continent of North America (1987) and its camera teams were the first to shoot a major wildlife series in the former Soviet Union (1989-91). Survival films and film-makers won more than 250 awards worldwide, including four Emmy Awards and a BAFTA. Buxton, producer of Survival for most of its life, also received a Royal Television Society silver medal in 1968 for outstanding artistic achievement, and a gold medal in 1977.
In 1974 the IBA (formerly the ITA) redefined the region for Anglia Television. Where Anglia and Yorkshire overlapped around Humberside both services were available. The IBA decided that the Belmont transmitter in Lincolnshire would be given over to the Yorkshire area, bringing the northern boundary of Anglia back to its 1965 position. In 1988 the knight ident was replaced by a quasi-heraldic stylised 'A' made of triangles, which faded in and out on a fluttering flag. In the early 1990s, this was replaced with a black background and the flag fading in slowly. This was used until 1999.
During the broadcasting franchise reviews and applications of the 1980s Anglia managed to hold off opposition from only one other applicant, but in 1992 they faced stronger opposition from two consortia: Three East and CPV-TV. Anglia bid nearly £3 million more than Three East, which had crossed the quality threshold (CPV-TV had not), and they retained their broadcasting licence. In 1993, the station took over the cartoon studio Cosgrove Hall, when it was sold off by its original owners, Thames Television. Then in early 1994, Anglia was bought by MAI (owners of Meridian Broadcasting), who merged with United Newspapers to form United News and Media. They were joined by HTV in 1996. In 2000, following United's aborted merger attempt with Carlton, Granada bought the TV assets of United. In 2004, Granada finally merged with Carlton to form ITV plc, which ended Anglia's existence as a separate brand.
Much of Anglia TV's back catalogue is now held and preserved at the East Anglian Film Archive. A number of Anglia's Television productions have been released on DVD.